Superstar
Superstar
FOLLOWS THE HILARIOUS ADVENTURES OF KLUTZY SCHOOLGIRL MARYKATHERINE GALLAGHER AS SHE PURSUES HER DREAM OF THE PERFECT KISSAND SUPERSTARDOM.Molly Shannon, the latest Saturday Night Live comic to have a movie built around her, isn’t exactly funny–in fact, she’s a little unsettling. Her creation, the neurotic Catholic schoolgirl Mary Katherine Gallagher, invites laughter because she’s a little too close to the bone for anyone who grew up feeling ugly and unloved, which is a lot of people. Mary lives with her grandmother (Glynis Johns), who insists that Mary study business. Mary herself yearns to be famous and admired, though for what isn’t exactly clear; she envisions some vague combination of singing, dancing, and acting that will make her a superstar. A talent show promises to be her ticket to stardom (the winning prize is a role in “a movie with positive moral values”), and she won’t let her loser status or any hostile cheerleaders stand in her way. Meanwhile, Mary acts out dating fantasies with trees and signposts, envisions the school lunch room bursting into a Fame-like dance number, and longs for the biggest jock in school. What makes Superstar more than just a collection of bad high school memories is that, though the formulaic plot redeems Mary, the movie as a whole isn’t so sure. Mary completely loses herself in her obsessive fantasies–many inspired by cheesy made-for-TV movies–but there’s always someone watching, aghast, as Mary acts out her inner thoughts. Is she misunderstood or freakish? Superstar never commits to one side or the other, which makes it both comic and uncomfortable. –Bret Fetzer
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Roswell – Seasons 1-3
Opening with a Dido theme song and featuring character-driven, sweet-natured melodrama, Roswell was a show with a surprisingly dedicated fandom, who twice won it reprieve from cancellation. One of its main strengths was, of course, the extent to which its premise–alien teenagers trying to sort out their identities while emotionally involved with their human contemporaries–was a free-floating metaphor for race and sexuality issues. Another was the strong ensemble that its cast developed: you believed in the strangeness of the alien trio and the well-intentioned normality of their three human friends. Jason Behr gave the alien Max a quiet authority and Majendra Delfino took the sidekick role of Maria and gave it both intensity and fine comic timing. It was also a show in which you were never sure which adults you could trust–William Sadleir trod a fine line of ambiguity as the local sheriff and Julie Benz was silkily sinister as an FBI agent. Anyone who ever loved this show will want these DVDs–and many others may want to find out what the fuss was about.
Roswell is presented in 1.78:1 anamorphic widescreen. The special features include commentaries by writer Jason Katims, the directors, and various cast members as well as featurettes. The commentaries are unusually insightful on the casting process, and the discs also include the auditions for the part of Tess as well as deleted scenes and a music video. –Roz Kaveney
Roswell – The Complete First Season
Opening with a Dido theme song and featuring character-driven, sweet-natured melodrama, Roswel was a show with a surprisingly dedicated fandom, who twice won it reprieve from cancellation. One of its main strengths was, of course, the extent to which its premise–alien teenagers trying to sort out their identities while emotionally involved with their human contemporaries–was a free-floating metaphor for race and sexuality issues. Another was the strong ensemble that its cast developed: you believed in the strangeness of the alien trio and the well-intentioned normality of their three human friends. Jason Behr gave the alien Max a quiet authority and Majendra Delfino took the sidekick role of Maria and gave it both intensity and fine comic timing. It was also a show in which you were never sure which adults you could trust–William Sadleir trod a fine line of ambiguity as the local sheriff and Julie Benz was silkily sinister as an FBI agent. Anyone who ever loved this show will want these DVDs–and many others may want to find out what the fuss was about.
Roswell – The Complete Second Season
Season 2 of the cult science-fiction series Roswell opens on a promisingly positive note, with the rescue of alien teen Michael (Brendan Fehr) by Max (Jason Behr) and his pals, but as soon as things settled down, new challenges threaten their existence. That was par for the course on this imaginative program, which hit its stride in its sophomore year (2000-2001) with a tighter blend of thoughtful youth drama and otherworldly action. The season‘s chief threats to aliens Max, Michael, Isabel (Katherine Heigl of Grey’s Anatomy), and newcomer Tess (Emilie De Ravin of Lost), and Earthlings Liz (Shiri Appleby), Maria (Majandra Delfino), and Alex (Colin Hanks) are Vanessa Whitaker (Gretchen Egolf), a congresswoman with a very sinister secret agenda, and Brody Davis (Desmond Askew), the new curator of Roswell’s UFO Museum, who harbors an equally unpleasant plan for the friends. The struggle between human and alien forces, both good and evil, to uncover the truth about Max and his companions leads to a pair of shocking events–a death among the group, and in the season finale, Max, Michael, and Isabel’s possible return to their home planet. Other highlights from season 2 include the imaginative period piece “Summer of ’47,” with the series regulars assuming the roles of townspeople and government officials at the time of the Star Trek – The Original Series, Episode 26: The Devil In the Dark [VHS]” href=”http://www.televisionwonderland.com/star-trek-the-original-series-episode-26-the-devil-in-the-dark-vhs/”>original alleged UFO crash; the two-parter “Meet the Dupes” and “Max in the City,” which poses the alien quartet against their physically identical doubles (with extremely different personalities); and “A Roswell Christmas Carol,” which offers an unsentimental retake on the Dickens story.
Roswell – The Complete Third Season
The sci-fi-themed teen drama Roswell begins its third and final season with Max (Jason Behr) and Liz (Shiri Appleby) back together and taking a desperate chance to find Max’s son. After the many cosmic concepts of the previous season, the series dialed back the mythology to focus on the more–excuse the expression–human aspects of the characters. Roswell was often described as Dawson’s Creek meets The X-Files, and accordingly Isabel (Katherine Heigel) finds romance with a lawyer (Adam Rodriguez), but struggles both with her mixed feelings about revealing her alien identity and with the aftermath of the tragedy in season 2. (The romance is later spoofed in a Bewitched-style episode.) At the same time, Max and Michael (Brendan Fehr) travel to Los Angeles in search of an alien bounty hunter that might be able to help them find Max’s son. (They also find Roswell executive producer Jonathan Frakes making a guest appearance as himself.) Michael takes a night job that at first is played for laughs (in “Michael, the Gang, and the Great Snapple Caper”), then takes on threatening implications in a rousing two-parter that eventually leaves all parties not too much different from how they started. Michael also struggles in his relationship with Maria (Majandra Delfino), first when he makes new friends and later when she meets a figure from her past (Clayne Crawford) who revives a longtime music dream that might lead to bigger things. All the while, the alien trio faces the constant struggle of keeping their identities secret, even as the net seems to be tightening around them. When a key character returns in the series’ penultimate episode, both the aliens and the humans they love face a critical decision.
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Price: $ 45.49
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